Low-res stutters and the slideshow effect

novelistic remediation of digital video conferencing in Rétine by Théo Casciani

Authors

DOI:

https://doi.org/10.60056/CCL.2025..117-126

Keywords:

poetics, novelistic writing, intermediality, Casciani, remediation, digital media, slideshow

Abstract

The paper aims to put forward a reading of a sub-chapter-long episode in Théo Casciani’s novel Rétine (2019), dedicated entirely to relating a prolonged video call between two characters (of which one is the narrator). Drawing solely on the exemplary scenes from the cited case study, the paper offers a methodological examination of the novelistic text under the angle of poetic representation (or remediation) of digital media and, more specifically, of the contemporary means of teleconferencing. Through a combination of textual analysis and theoretical reflection, the paper sets out to demonstrate that literary intermediality is distinguished by its capacity to engage bilaterally with both mediums getting put into contact, novelistic writing thereby being brought to mobilise unconventional poetical resources, while resorting to procedures of synchronisation between the representing and the represented media that are hardly reducible to the non-poetic uses of language outside of the context of intermedial dialogue established vicariously on the territory of fiction (i.e. by proxy of representation).

Author Biography

  • Mykhailo Babaryka, Kyiv National Linguistic University

    Having obtained his graduate degrees (Bachelor’s and Grad. Dipl. in Philology) at Kyiv National Linguistic University (KNLU), Mykhailo BABARYKA took on the role of lecturer of world literatures at Fesenko Department of Literary Theory and History of World Literatures at his Alma Mater. He then went on to obtain his MA as part of the Erasmus Mundus Joint Master’s Crossways in Cultural Narratives international pathway spanning across the universities of Poznań (UAM), Perpignan (UPVD), and Sheffield (UoS). In 2024, Mykhailo finalised his Scientia PhD on digital media representation in contemporary French and anglophone novel writing at UNSW (Sydney), and since then, has been teaching media disciplines at the School of the Arts & Media.

References

Barthes, R. (1984). L’Effet de réel. In R. Barthes (Ed.), Le bruissement de la langue. Essais critiques IV (pp. 167–174). Éditions du Seuil.

Bolter, J. D., & Grusin, R. (1999). Remediation: Understanding new media. MIT Press.

Casciani, T. (2019). Rétine. POL Éditeur.

Jarlbrink, J., Lundell, P., & Snickars, P. (2023). From big bang to big data: A history of the media. McGill-Queen’s University Press.

McLuhan, M., & Fiore, Q. (1967). The medium is the massage. Bantam Books.

Pressman, J. (2014). Digital modernism: Making it new in new media (pp. 1–27). Oxford University Press.

Rajewsky, I. O. (2005). Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality. Intermédialités. Histoire et théorie des arts, des lettres et des techniques, 6, 43–64.

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Published

2025-10-14

Issue

Section

II. Miscellanea

How to Cite

Low-res stutters and the slideshow effect: novelistic remediation of digital video conferencing in Rétine by Théo Casciani. (2025). Colloquia Comparativa Litterarum, 11, 117-126. https://doi.org/10.60056/CCL.2025..117-126