The visual communication of the local religiosity as a part of the Bulgarian Cultural Heritage

Abstract

The creation of visual works dedicated to local religiosity as part of the Bulgarian cultural heritage forms is an interdisciplinary approach to anthropological research, because in addition to the visual presentation of names, facts, dates and events allow the audience to immerse themselves in the modern era. This is successfully applied in the acquisition of knowledge, skills and competencies in various fields, as well as acquaintance with local religiosity. The main components of the impact are multichannel, mass, speed of distribution and perception. In this way, two vector lines are traced: the first – the visualization of the Bulgarian cultural and historical space and the second – the connection of these concepts with linguodidactic aspects as a model of research.

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