Places of emptiness in the novel The Man who sleeps by Georges Perec and its film adaptation
DOI:
https://doi.org/10.60056/CCL.2022..118-127Keywords:
New Novel, New Wave, rhetorical places, emptiness, existential crisisAbstract
This text examines George Perec's novel The Man Who Sleeps and its adaptation through a young man's existential crisis in search of the meaning of his existence. The disintegrated time and space introduce the reader to the labyrinth of wandering consciousness through the “rhetorical places”, the delight of emptiness, on the border between dream and reality. The work is close to the experiment of the literary movement “New Novel”, approaching in the film the “camera-pen” embodied in the New Wave of French cinema.
References
Perec, G. (2000). Spyashtiyat chovek. Pleven: Lege Artis, Translation from French – Diyana Marcheva.
Frédéric, Y. (2007). L’extase du vide de Un homme qui dort à Espèces d’espaces. – Savoirs et clinique, 1(8), 143-153.
Klein, P. (2015). Surmonter le sommeil, espérer contre toute attente. Un homme qui dort et l’exploration des « lieux » de l’indifférence. – Fabula-LhT, n° 15, « "Vertus passives" : une anthropologie à contretemps », dir. Matthieu Vernet et Alexandre de Vitry. URL: http://www.fabula.org/lht/15/klein.html, page consultée le 08 février 2022.
Reggiani, C. (2017). Un peintre de la vie moderne. Bibliothèque de la Pléiade, Introduction, IX-XXVII. Editions Gallimard.
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