Historical avant-garde, science, and philosophy
Keywords:
avant-garde, modernism, dadaism, constructivismAbstract
The article presents the phenomenon “historical avant-garde” in its European forms and Bulgarian manifestations, its conceptual and aesthetic peculiarities, as well as the scientific and philosophical foundations underlying it. It continues the relationship between the main scientific and philosophical ideas of the times and their importance in forming the cardinal conceptual views and aesthetic perceptions of the avant-garde, as well as their influence on the construction of the visual system of the actual avant-garde art between the two world wars.
References
Dyuhting, Hayo. Kandinski. Taschen, Alians-97 OOD, 2003.
Novis. Spisanie za izkustvo i kulturen pregled, Sofia, g. 1929, br. 1.
Ortega-i-Gaset, Hose. Dialog varhu novoto izkustvo. Eseta. T. 1. Sofia: Universitetsko izdatelstvo "Sv. Kliment Ohridski", 1993.
Tutev, Ivan. "Izkustvoto". - V: Lebed, g. I, kn. 3, 1921.
Vitgenshtayn, Ludvig. Izbrani sachineniya. Sofia: Nauka i izkustvo, 1988.
Burger, Peter. Theorie der Avantgarde. Suhrkamp Verlag, 1974.
Clark, Ronald W. Freud: The Man and the Cause. New York: Random House, 1980.
Gould, Stephen Jay. The Mismeasure of Man. New York: W. W. Norton, 1981. Revised and expanded, Penguin, 1997.
Noever, Peter (editor). „The Future is our only Goal“. In: Aleksandr Rodchenko and Varvara F. Stepanova. Munich: Prestel Verlag, 1991.
Rhodes, Richard. The Making of the Atomic Bomb. New York: Simon & Schuster, 1986.
