H. C. Andersens Märchen als eine der möglichen Quellen in der Genesis der „Traumstücke“ von August Strindberg
Schlagwörter:
the “uncanny”, Andersen, Strindberg, the functions of a narrative/stage objectAbstract
The article compares Strindberg’s “A Dream Play” with two tales by H. C. Andersen – “The Galoshes of Fortune” and “The Nightcap of the Pebersvend” – focusing on the concepts of space-time and the function of the stage or narrative object. Central to the analysis is the category of the “uncanny”, defined by Tsvetan Todorov as “experience of the borders”. The emphasis on spatial motifs and their dynamics creates the effect of “the uncanny”, which becomes an aesthetic category connecting Andersen’s Romanticism with Strindberg’s Modernism.
Literaturhinweise
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