Les contes folkloriques dans la dramaturgie symboliste
francophone et slave
DOI :
https://doi.org/10.60056/CCL.2015..52-59Абстракт
The paper examines the selection, structuring and dramatic rendition of the fairy tale plots in the Francophone and the Slavic symbolist dramas, to point out their typological resemblances and inner richness. The study finds out that rewriting the magic stories and their syncretic approach characterize both theatres and mark out their similitudes. However, the Francophone symbolists attempt to intensify the universal and mystical meaning of the folktales. On the other hand, the Slavic authors insert some national and parodic trends in their plays, strengthen the art synthesis and anticipate, in that way, the dramatic experiments in the European vanguards.
Литература (библиография)
Ivanov-Razumnik, I. V. (1910). O smysle zhizni. F. Sologub, L. Andreev, L. Shestov (2nd ed.). ImWerden Verlag.
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Sologub, F. (1913). Nochnye pliasli. Dramaticheskaia skazka v trekh deistviiakh. In Sobr. Soch. (Vol. 8). Sirin.
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