Adaptation strategies of The Life Before Us
ethical functions and screen transformations
DOI :
https://doi.org/10.60056/CCL.2022..95-104Ключови думи :
Romain Gary, film adaptation, intertextuality, humanism, empathyАбстракт
The paper analyses two film adaptations (1977, 2020) of Romain Gary’s novel The Life Before Us exploring the transformation strategies originating from the transition from page to screen as well as different forms of (re)contextualisation in the 20th and 21st century. The comparative case study examines the evolution of dominant adaptation approaches going from fidelity to the source text to intertextuality and reinvention. We aim to reveal the relevance of the author’s humanist views through the strong visual thematisation of universal values and empathic figures’ interactions.
Литература (библиография)
Aragay, M. (2006). Reflection to Refraction: Adaptation Studies Then and Now. In M. Aragay (Ed.), Books in Motion Adaptation, Intertextuality, Authorship (Contemporary Cinema 2) (pp. 11–37). Amsterdam: Rodopi.
Boisen, J. (1996). Un Picaro métaphysique. Romain Gary et l’art du roman. Univ. Pr. of Southern Denmark.
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Gardies, A. (2007). Narratologie et cinéma. Le récit à l’écran. In R. Gardies (Ed.), Comprendre le cinéma et les images (pp. 85–102). Paris: Armand Colin.
Gary, R. (1975). La vie devant soi. Paris: Mercure de France [Folio].
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Films cités:
La vie devant soi. Réalisé par Moshe Mizrahi. Lira Films, France, 1977.
La vie devant soi [La vita davanti a sé]. Réalisé par Edoardo Ponti. Palomar, Italia, 2020.
La vie devant soi. Réalisé par Myriam Boyer, Arte, France, 2010.
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