The myths of Prometheus and the Black Sea region
conflicting versions, shifting paradigms
DOI :
https://doi.org/10.60056/CCL.2020..9-24Mots-clés :
Prometheus, Black Sea region, national identities, political mobilizationRésumé
The topic of the paper is the interrelation between two ideological constructs: the figure of Prometheus and the so-called Black Sea region. Both of them represent, in specifically transformed versions, primary ideas and realities that lack the additionally attributed coherence of the later concepts currently in use. It aims to explore the key ancient myth of Prometheus in comparative perspective, juxtaposing the stable presence it retains in the Western cultural imagination with its life in the Black Sea region, where this myth initially emerged. It focuses specifically on the underestimated political mobilization of the Prometheus myth in the construction of national identities and in the manufacturing of various ideologies. The different, often conflicting versions are analysed in diachronic perspective that provides observability of the potential paradigm shifts in the conceptualizations of the Prometheus figure.
Références
Balabanov, Aleksander (1937). Bulgaria i klasicheskata kultura. – Prometei, I, 3-5.
Lossev, Aleksei (1989). Problemut za simvola i realisticheskoto izkustvo. Nauka i izkustvo.
Markovski, Venko (1987). Cjernobil. Elegii. Bulgarski pisatel.
Nikolova, Nina, Tsenov, Georgi (2017). Intervyu na G. Tsenov s N. Nikolova za „Prokovaniyat Prometey“ na Lazar Nikolov. Retrieved March 19, 2020, from https://www.youtube.com/watch?v=Z0OLfwzRsTI
Snegov, Sergei (1972). Prometei raskovannyi. Povest o pervootkrivateliah iadernoi energii. Detskaia literatura.
Snegov, Sergei (1980). Prometei raskovannyi. Povest ob Igore Kurchatove. Detskaia literatura.
Berry, Ellen E., Miller-Pogacar, Anesa (1995). Re-entering the Sign: Articulating New Russian Culture. University of Michigan Press.
Geldern, James Von (1993). Bolshevik Festivals, 1917-1920. University of California Press.
Hassan, Ihab (1977). Prometheus as Performer: Toward a Posthumanist Culture? – The Georgia Review, Vol. 31, No. 4 (Winter), pp. 830-850.
Hassan, Kelime (2011). Educational Messages in Tevfik Fikret’s Poems. – HU Journal of Education 41, pp. 146-157.
Hunt, David (2012). Legends of the Caucasus. Saqi.
Jessop, Bob, Wheatley, Russell (1999). Karl Marx's Social and Political Thought Critical Assessments. Taylor & Francis.
King, Charles (2004). The Black Sea. A History. Oxford UP.
King, Charles (2008). The Wider Black Sea Region in the Twenty-First Century. In: Hamilton, Daniel and Mangott, Gerhard (eds). The Wider Black Sea Region in the 21st Century: Strategic, Economic and Energy Perspectives. Center for Transatlantic Relations.
Kossman, Nina (ed.) (2001). Gods and mortals: modern poems on classical myths. Oxford UP.
Lehman, John (1937). Prometheus and the Bolsheviks. Gresset Press.
Michelakis, Pantelis (2013). Greek Tragedy on Screen. OUP Oxford.
Miller, Jamie (2009). Soviet Cinema: Politics and Persuasion under Stalin. I. B. Tauris.
Prométhée (1926). Organe de défense nationale des peuples du Caucase et de l'Ukraine et du Turkestan, No 1, 15 Novembre.
Prométhée (1938). Prométhée 1932, No 73, Décembre.
Prométhée (1938). Prométhée 1938, No 134, Janvier.
Shevchenko, Taras (1845). The Caucasus. Retrieved March 19, 2020, from https://taras-shevchenko.storinka.org/the-%D1%81aucasus-poem-of-taras-shevchenko-ukrainian-to-english-translation-by-vera-rich.html
Sorkin, Adam J. (2002). The Paradox of the Fortunate Fall: censorship and poetry in Communist Romania. – Literary Review 45 (4), Summer, p. 886.
Téléchargements
Publiée
Numéro
Rubrique
Licence

Ce travail est disponible sous la licence Creative Commons Attribution 4.0 International .
This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. CC BY-NC includes the following elements:
BY: credit must be given to the creator.
NC: Only noncommercial uses of the work are permitted.