Знакотворение и претворение

изначалният превод по Юлия Кръстева

Автори

DOI :

https://doi.org/10.60056/CCL.2022..155-176

Ключови думи :

художествен авангард, семиотично, знакотворение, претворение

Абстракт

Статията реконструира еволюцията на един от централните термини на Кръстева signifiance (преведен тук като знакотворение), чрез който тя концептуализира литературата и изкуството като процеси, които неуморно превеждат изграждането и разграждането на субекта. Тази еволюция включва преминаването от ранния фокус на Кръстева, насочен предимно към поезията, към по-късния ѝ акцент върху романа (Пруст и Колет), което я довежда до концепцията за transubstantiation (преведена тук като претворение) в смисъла на „метафора, станала плът“.

Авторска биография

  • Миглена Николчина

    Miglena Nikolchina is a poet, writer, and theoretician whose research interests involve the interactions of literature and philosophy. In English, her publications include numerous articles as well as the books Matricide in Language: Writing Theory in Kristeva and Woolf (2004) and Lost Unicorns of the Velvet Revolutions: Heterotopias of the Seminar (2013). She guest-edited a special issue of differences (2021, 32.1) on “The Undead of Literary Theory”. Her most recent book (in Bulgarian) is God with Machine: Subtracting the Human (2022).

Литература (библиография)

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Jakobson, Roman. (1992). My Futurist Years, trans. Stephen Rudy. Marsilio Publishers.

Kristeva, Julia. (1981). “Oscillation between Power and Denial,” in E. Marks and I. de Courtivron, eds., New French Feminisms. Schocken Books.

Kristeva, Julia. (2002). “Thinking about Literary Thought.” Sign Systems Studies 30, 2: р. 405–17.

Kristeva, Julia. (2005). Colette, tr. Jane Marie Todd. Columbia University Press.

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Kristeva, Julia. (1974). La Révolution du langage poétique : L'avant-garde à la fin du XIXE siècle, Lautréamont et Mallarmé. Seuil.

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Kristeva, Julia. (1969; 1974). Sēmeiōtikē: Recherches pour une sémanalyse. Éditions du Seuil; La Révolution du langage poétique: l'avant-garde à la fin du XIXe siècle, Lautréamont et Mallarmé. Seuil.

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Mechelen, Marga van. (2017). “Julia Kristeva’s Semanalysis and the Legacy of Émile Benveniste,” New Semiotics: Between Tradition and Innovation. Proceedings of the 12th Congress of the International Association for Semiotic Studies (IASS/AIDed), ed. Kristian Bankov. NBU Publishing House & IASS Publications, p. 1473–80.

Rudy, Stephen. (1992). Introduction to Roman Jakobson, My Futurist Years, trans. Stephen Rudy. Marsilio Publishers.

Spassova, Kamelia. (2018). “Dual Codes: The Text within a Text in Lotman and Kristeva,” Prace Filologiczne. Literaturoznawstwo – Philological studies: literary research, issue 8 (11), part 2: р. 13−28; from http://pflit.uw.edu.pl/en/numer-811-2018

Stoyanov, Enyo. (2018). “Poststructuralist Backgrounds: The Political Strategies of Resistance in the Literary-Theoretical Debates During the 1960–1970s in Bulgaria,” Slavica Tergestina: European Slavic Studies Journal 20, 1: р. 16–45.

Tuckerova, Veronika. (2012). “Reading Kafka in Prague: The Reception of Franz Kafka between the East and the West during the Cold War". Ph.D. diss., Columbia University; from https://academiccommons.columbia.edu/catalog/ac%3A172916

Файлове за сваляне

Публикуван

06-11-2025

Брой

Раздел (Секция)

IV. NEW STUDIES ON JULIA KRISTEVA

Как да цитирате

Знакотворение и претворение: изначалният превод по Юлия Кръстева. (2025). Colloquia Comparativa Litterarum, 8, 155-176. https://doi.org/10.60056/CCL.2022..155-176