Закуска в „Тифани“. От страницата към екрана. Създаването на една класика. Преобразуване на междуполовите отношения

Автори

DOI :

https://doi.org/10.60056/CCL.2022..105-117

Ключови думи :

екранизация, драматургична структура, социален пол, интеграция в обществото

Абстракт

Целта на статията е да изследва как в процеса на екранизация киното превежда новелата Закуска в „Тифани“ от Труман Капоти на своя език, какви преображения се явяват в полето на социалните изследвания на пола в следствие, защо са били необходими и как са допринесли за днешния култов статут на филма. Подходът ми се основава на анализ на трансформациите от драматургична гледна точка – наративна инстанция, тема, централен въпрос, водеща идея, време и място на действието, протагонисти, както и на взаимодействието им с избора на актьори, стилови характеристики на операторската работа и музиката.

Авторска биография

  • Йоана Панкова

    Ioana Pankova [Йоана Панкова]: Bachelor’s degree in Screen Studies, awarded at the University of Paris I Panthéon-Sorbonne, title of thesis: Evolution of the Relationship between Bulgarian Cinema and Its Audience. Master of Arts in Arts and Contemporary Culture (20th – 21st c.), Department of Philosophy, University of Sofia “St. Kliment Ohrdiski”, title of thesis: American Pop Art and Media Communication. Visiting lecturer at New Bulgarian University, author of the courses: Screen Language, Writing for Screen and Visual Analysis. Currently a PhD student (unsupervised on an individual plan), title of dissertation: Order and Anarchy in the Screwball Comedy. Professional experience in film production (assistant director), film exhibition and distribution, and in festival management (Meetings of Young European Cinema – Sofia and Days of the Bulgarian Cinema – Paris). Academic interests: film language, classical film genres, American cinema, scriptwriting, gender studies, psychoanalysis. Languages: Bulgarian, English, French.

Литература (библиография)

Bazin, A. (2005). What is Cinema? University of California Press.

Capote, T. (2000). Breakfast at Tiffany’s. Penguin Modern Classics.

Cartmell, D. (Ed.). (2012). Literature, Film and Adaptation. Wiley-Blackwell.

Cavell, S. (1981). Pursuits of Happiness: The Hollywood Comedy of Remarriage. Harvard University Press.

Clarke, G. (1989). Capote: A Biography. Ballantine.

Fahi, T. (2014). Understanding Truman Capote. University of South Carolina Press.

Inge, M. T. (Ed.). (1987). Truman Capote: Conversations. Jackson: University Press of Mississippi.

Krämer, P. (2004). The Many Faces of Holly Golightly: Truman Capote, Breakfast at Tiffany’s and Hollywood. In Film Studies, Issue 5, Winter.

Laplanche, J., & Pontalis, J.-B. (1996). The Language of Psychoanalysis. Karnac Books.

Mulvey, L. (1992). Visual Pleasure and Narrative Cinema. In R. Mast, M. Cohen, & S. Braudy (Eds.), Film Theory and Criticism. Oxford University Press.

Wasson, S. (2009). A Splurge in the Kisser. The Movies of Blake Edwards. Middletown, Connecticut: Wesleyan University Press.

Zoerink, R. (1975). Truman Capote Talks about His Crowd. In Playgirl, September.

Archive sources:

Breakfast at Tiffany’s file, Production Code Administration Records, AMPAS.

Interview with Blake Edwards. Documentary Breakfast at Tiffany's: The Making of a Classic, 2006.

Pinckard, Reader’s Report, Breakfast at Tiffany’s file, Paramount Script Collection, Academy of Motion Picture Arts and Sciences (AMPAS), Beverly Hills.

Файлове за сваляне

Публикуван

06-11-2025

Брой

Т. 8 (2022)

Раздел (Секция)

II. TRANSFIGURATIONS OF LITERATURE INTO CINEMA

Лиценз

Creative Commons License

Публикация с Creative Commons Attribution 4.0 International License.

This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. CC BY-NC includes the following elements:

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Как да цитирате

Закуска в „Тифани“. От страницата към екрана. Създаването на една класика. Преобразуване на междуполовите отношения. (2025). Colloquia Comparativa Litterarum, 8, 105-117. https://doi.org/10.60056/CCL.2022..105-117